Born in Buenos Aires in 1984. He starts his studies of fine Arts in 2002 at the National Institute of Art (
IUNA). In 2004 he decides to quit and continue as a self-taught improovement, reforcing his
knowledgements in workshops and courses given by good known local artists. Some of this courses are
"A toolbox" dictated by Eduardo Stupía (Universidad Torcuato Di Tella, 2012 and 2013). He made
numerous solo and group exhibitions including "bosquejar esbozar proyectar" at quimera Gallery, 2015
- where he is selected by the curator Santiago Bengolea (PROA museum) to perform a site specific
artwork; "hablar con las manos, escuchar con los ojos" in ICBC fundation, 2015; "verdadero, falso,
ambos" at Centro cultural San Martin, 2014; "Legado" at Quimera Gallery, his Works has been exibited
in Peisa Space, Recoleta Cultural Center, 2013; "Mil y un mujeres" Camara de comercio of Buenos
Aires, 2012. In 2011 he was selected in drawing category in the Salón de Mayo, Museum Rosa Galisteo
(Santa Fe) in wich is recognized with a mention of his work, in 2013 he was a finalist in the Young Art
Biennial of Buenos Aires; In 2015 he received a scholarship by the ACE Foundation to participate in the
residence INQUBARTE, the same year he is a finalist in the National Painting Biennial Rafaela 2015 and
MACA museum gives the 1st award at the National Exhibition of Contemporary Art 2015.
On the images of my artworks I attempt to show what there is beyond the linearity of the story of the
characters portrayed. I compose with the idea of expressing worlds or scenes created by the
imagination of these characters. I use masks that cover their faces as a metaphor for the liberation of
their imagination; even by covering their faces no signs or gestures; if they are angry, sad or smiling.
They are just standing in a neutral pose, suspended at a time in which their imagination emerges and
transports them to a desired moment.
The environment in which these characters are, is the result of their own imagination, the Nature is
represented in an idealized form and some way in a dreamlike atmosphere. The characters portrayed
are dressed in vintage clothing to generate in the viewer a sense of timeless context.
I create the sketches with the help of images found on the internet or botanical encyclopedia. Once the
sketch is closer to my initial idea, i take it to the final support. In this transference from the sketch to
the final support, the composition elements are processed and become a kind of synthesis of the
original images, even sometimes completely different. I am not interested at this time to make an
accurate representation of the reality of each element, but a juxtaposition where my imagination is
present in every moment of the process of the work.