Mixing tools and techniques, variety of supports and materials, shouting pain, Zewood painting is alive. His creative approach also incorporates notions such as randomness or accident.
Likewise, his film images breathing under his fingers, modeled and thought from the price of views to development on paper.
He is a craftsman, a memory editor, a charmer of time or the reverse more surely not a decorator ...
"Voyeur in series" describes Zewood.
Untitled, the images are organized around a memory or a short text, each digging the story but existing beyond.
The narrative and chronology are then abolished, creating richer associations, allowing each one a more intimate appropriation.
His unique images, intranquilles, do not give themselves without return, they are not to be easy, they call out, sometimes provoke, often splash.